There's a light inside my heart
that always lights the way;
A glimmer of hope that
gets me through the day.
There's a light inside my heart
with overpowering rays of happiness,
that often gets me through
plight and sadness and difficulty.
There's a light inside my heart
and I can now define it;
You're the light inside my heart,
the love that lights and stir my life.
#Poetry #Love #Fiction #Heart
Follow me on Twitter @BnSpeaks
You are number:
Wish To Follow Me?
Monday, May 18, 2015
A LIGHT IN MY HEART.
There's a light inside my heart
that always lights the way;
A glimmer of hope that
gets me through the day.
There's a light inside my heart
with overpowering rays of happiness,
that often gets me through
plight and sadness and difficulty.
There's a light inside my heart
and I can know define it;
You're the light inside my heart,
the love that lights and stir my life.
#Poetry #Love #Fiction #Heart
Follow me on Twitter @BnSpeaks
that always lights the way;
A glimmer of hope that
gets me through the day.
There's a light inside my heart
with overpowering rays of happiness,
that often gets me through
plight and sadness and difficulty.
There's a light inside my heart
and I can know define it;
You're the light inside my heart,
the love that lights and stir my life.
#Poetry #Love #Fiction #Heart
Follow me on Twitter @BnSpeaks
Tuesday, May 5, 2015
#FLASHFICTION: EMPIRICAL EVIDENCE
His jeep was parked outside the gate. He instructed his driver to wait
beside it. Chief Koko angrily and briskly walked into a compound of a
two storey building that served as residency for over forty people.
His eyes first fell on a handful number of boys playing a deflated
black football with circular white stripes. He grinded his teeth and
furiously bit his lower lip. This children, he said to himself, had
practically turned his compound into a football pitch. He would deal
with them!. Unrespectful tenants!.
Naturally, at the sight of him, there was always this unprecedented
silence that enveloped the compound. Who dare shout when the landlord
was much around. His presence was cryptically venerated by all - more
obviously and more often than not by his debtors. To his tenants, he
was a demigod.
But now, things fell apart. No one seemed to regard his presence. The
children playing didn't regard him. Not even a greeting!. Upstairs
arguments rose quickly and fell just as quickly. The atmosphere was
peppered by a deafening sound of Igbo high life music blasting from
the second floor. He knew the architect of this nuisance; Okechukwu!
Omo Igbo!. That Alaba boy! And he hasn't paid his four months lent!.
He took few steps backward and observed the edifice before him. He
pulled off his goggle. This was his house? No he wasn't sure. But
right there, it was boldly written, in blue, "Chief Koko's Villa". He
hasn't recovered from the shock when a crashing sound came from his
left. He turned. The ball had broken a Louvre. The children dashed
away and Chief Koko went after them. As he tried to sprint, his
voluminous agbada got entangled with his right shoe. It was not funny.
Chief Koko of all people, the deputy Chairman of Ibuku Landlord
Association was on the floor. He energetically made unproductive
effort to get up quickly. He was quite there, on the floor for a few
minutes until some women came over and helped him up. He didn't thank
them.
Soon, his tenants assembled. They all had a knowing amusing look on
their faces. They stood shoulder to shoulder and gazed excitedly at
their landlord. Then came, "Landlord sorry oo!". It was Okechukwu.
Chief Koko distinctively recognized his voice; the strong Igbo accent
that roomed large in his English sentence.
"Landlord sorry", the group chorused.
He didn't look at their faces. Without wasting much time, he spoke
with no ease.
"I am not here to joke. All of you owing, go inside and pack your
things at once. Leave my house. Whether you are owing one month, two
months, five months or whatnot. Just pack. I don't run a charity. Is
it a curse to be a landlord?."
No one spoke.
He continued, "And before you do that. That window must be replaced".
He pointed at the broken Louvre. "It was those little pests you call
children that broke it. I am not joking, you must repair it. You all
are not grateful. Unrewarding. Leave just leave....."
Someone cut him short."With all due respect Mr Koko, I won't accept
that insult. Whose child is a pest?. They broke your Louvre? Where is
the empirical evidence?". This came from Mr Obj. A spontaneous
applause rose.
Chief Koko didn't believe it. This people still had the audacity to
insult him. This was the most unrewarding thing for a tenant to say.
He would not accept this, with all due respect.
Mr Obj continued, "You claimed that some are owing five ,
two....months lent, Where is the empirical evidence? As far as we are
concerned, who have all paid our lents! Period!." He was applauded
once more, accompanied by chants of "Obj! Obj!! Obj!!".
Chief Koko, kept mum, stares at their faces and goes out. He knows how
best to deal with them. He won't tell anyone.
FOLLOW ON TWITTER @BNSPEAKS
beside it. Chief Koko angrily and briskly walked into a compound of a
two storey building that served as residency for over forty people.
His eyes first fell on a handful number of boys playing a deflated
black football with circular white stripes. He grinded his teeth and
furiously bit his lower lip. This children, he said to himself, had
practically turned his compound into a football pitch. He would deal
with them!. Unrespectful tenants!.
Naturally, at the sight of him, there was always this unprecedented
silence that enveloped the compound. Who dare shout when the landlord
was much around. His presence was cryptically venerated by all - more
obviously and more often than not by his debtors. To his tenants, he
was a demigod.
But now, things fell apart. No one seemed to regard his presence. The
children playing didn't regard him. Not even a greeting!. Upstairs
arguments rose quickly and fell just as quickly. The atmosphere was
peppered by a deafening sound of Igbo high life music blasting from
the second floor. He knew the architect of this nuisance; Okechukwu!
Omo Igbo!. That Alaba boy! And he hasn't paid his four months lent!.
He took few steps backward and observed the edifice before him. He
pulled off his goggle. This was his house? No he wasn't sure. But
right there, it was boldly written, in blue, "Chief Koko's Villa". He
hasn't recovered from the shock when a crashing sound came from his
left. He turned. The ball had broken a Louvre. The children dashed
away and Chief Koko went after them. As he tried to sprint, his
voluminous agbada got entangled with his right shoe. It was not funny.
Chief Koko of all people, the deputy Chairman of Ibuku Landlord
Association was on the floor. He energetically made unproductive
effort to get up quickly. He was quite there, on the floor for a few
minutes until some women came over and helped him up. He didn't thank
them.
Soon, his tenants assembled. They all had a knowing amusing look on
their faces. They stood shoulder to shoulder and gazed excitedly at
their landlord. Then came, "Landlord sorry oo!". It was Okechukwu.
Chief Koko distinctively recognized his voice; the strong Igbo accent
that roomed large in his English sentence.
"Landlord sorry", the group chorused.
He didn't look at their faces. Without wasting much time, he spoke
with no ease.
"I am not here to joke. All of you owing, go inside and pack your
things at once. Leave my house. Whether you are owing one month, two
months, five months or whatnot. Just pack. I don't run a charity. Is
it a curse to be a landlord?."
No one spoke.
He continued, "And before you do that. That window must be replaced".
He pointed at the broken Louvre. "It was those little pests you call
children that broke it. I am not joking, you must repair it. You all
are not grateful. Unrewarding. Leave just leave....."
Someone cut him short."With all due respect Mr Koko, I won't accept
that insult. Whose child is a pest?. They broke your Louvre? Where is
the empirical evidence?". This came from Mr Obj. A spontaneous
applause rose.
Chief Koko didn't believe it. This people still had the audacity to
insult him. This was the most unrewarding thing for a tenant to say.
He would not accept this, with all due respect.
Mr Obj continued, "You claimed that some are owing five ,
two....months lent, Where is the empirical evidence? As far as we are
concerned, who have all paid our lents! Period!." He was applauded
once more, accompanied by chants of "Obj! Obj!! Obj!!".
Chief Koko, kept mum, stares at their faces and goes out. He knows how
best to deal with them. He won't tell anyone.
FOLLOW ON TWITTER @BNSPEAKS
Wednesday, April 29, 2015
Opinion: Becky Anderson Or Christiane Amanpour?.
Hello Beautiful People!,
My colleagues and I had this electrifying intellectual argument yesterday. We shared different thoughtful points, but failed to agree with each other.
The argument was: Between Becky Anderson and Christiane Amanpour (both works for CNN) which of the two, has the best journalist prowess?.
Brief Profile: Christiane Amanpour.
She is CNN's chief international correspondent and anchor of Amanpour, a nightly foreign affairs program on CNN International, starting in April 2012. In addition, she is the global affairs anchor for ABC News, providing international analysis of important issues of the day for ABC News programs and platforms, and anchoring primetime documentaries on international subjects.
Brief Profile: Becky Anderson.
She is one of CNN International's highest profile anchors. She hosts the network's flagship news & current affairs programme, 'Connect the World', which airs weekdays in the prime-time EMEA line-up at 9pmGMT.
Becky has extensive business journalism experience including posts with the UK's ITN, CNBC Europe and
Bloomberg. She began her career in
journalism as a print reporter with
various business publications in Arizona.
Please follow on Twitter @BnSpeaks
My colleagues and I had this electrifying intellectual argument yesterday. We shared different thoughtful points, but failed to agree with each other.
The argument was: Between Becky Anderson and Christiane Amanpour (both works for CNN) which of the two, has the best journalist prowess?.
Brief Profile: Christiane Amanpour.
She is CNN's chief international correspondent and anchor of Amanpour, a nightly foreign affairs program on CNN International, starting in April 2012. In addition, she is the global affairs anchor for ABC News, providing international analysis of important issues of the day for ABC News programs and platforms, and anchoring primetime documentaries on international subjects.
Brief Profile: Becky Anderson.
She is one of CNN International's highest profile anchors. She hosts the network's flagship news & current affairs programme, 'Connect the World', which airs weekdays in the prime-time EMEA line-up at 9pmGMT.
Becky has extensive business journalism experience including posts with the UK's ITN, CNBC Europe and
Bloomberg. She began her career in
journalism as a print reporter with
various business publications in Arizona.
Please follow on Twitter @BnSpeaks
Hello Beautiful People!,
My colleagues and I had this electrifying intellectual argument yesterday. We shared different thoughtful points, but failed to agree with each other.
The argument was: Between Becky Anderson and Christiane Amanpour (both works for CNN) which of the two, has the best journalist prowess?.
Brief Profile: Christiane Amanpour.
She is CNN's chief international correspondent and anchor of Amanpour, a nightly foreign affairs program on CNN International, starting in April 2012. In addition, she is the global affairs anchor for ABC News, providing international analysis of important issues of the day for ABC News programs and platforms, and anchoring primetime documentaries on international subjects.
Brief Profile: Becky Anderson.
She is one of CNN International's highest profile anchors. She hosts the network's flagship news & current affairs programme, 'Connect the World', which airs weekdays in the prime-time EMEA line-up at 9pmGMT.
Becky has extensive business journalism experience including posts with the UK's ITN, CNBC Europe and
Bloomberg. She began her career in
journalism as a print reporter with
various business publications in Arizona.
Please follow on Twitter @BnSpeaks
My colleagues and I had this electrifying intellectual argument yesterday. We shared different thoughtful points, but failed to agree with each other.
The argument was: Between Becky Anderson and Christiane Amanpour (both works for CNN) which of the two, has the best journalist prowess?.
Brief Profile: Christiane Amanpour.
She is CNN's chief international correspondent and anchor of Amanpour, a nightly foreign affairs program on CNN International, starting in April 2012. In addition, she is the global affairs anchor for ABC News, providing international analysis of important issues of the day for ABC News programs and platforms, and anchoring primetime documentaries on international subjects.
Brief Profile: Becky Anderson.
She is one of CNN International's highest profile anchors. She hosts the network's flagship news & current affairs programme, 'Connect the World', which airs weekdays in the prime-time EMEA line-up at 9pmGMT.
Becky has extensive business journalism experience including posts with the UK's ITN, CNBC Europe and
Bloomberg. She began her career in
journalism as a print reporter with
various business publications in Arizona.
Please follow on Twitter @BnSpeaks
Monday, April 27, 2015
NIGERIAN MODEL TO WATCH: HELEN KUZI
Nigerian Model To Watch: Helen Kuzi.
Ezenwanne Helen Kuzi is a Nigerian model and an aspiring actress who
started her career as a child model just before she turned 7 and started acting when she was 5 years old.
An indigene of Nneobi, Anambra state, the 22 year-old is one of the rising stars in the Nigerian Model and film industry and also she is a talented dancer. Having been in the industry almost all her life, Kuzi has featured in
numerous commercials, and competitions, including: Nnamdi Azikiwe University 2013/2014 Dancing Competition ( She won the award - she is a 400level student of the prestigious University ). Peak milk online contest (she managed 3rd position).
Kuzi is 5.6ft in height and weighs 54kg.
Meet here on the following platforms:
Facebook; Ezenwanne Helen Kuzi.
E-mail: helenkuzi@gmail.com
Instagram: HelenKuzi
Ezenwanne Helen Kuzi is a Nigerian model and an aspiring actress who
started her career as a child model just before she turned 7 and started acting when she was 5 years old.
An indigene of Nneobi, Anambra state, the 22 year-old is one of the rising stars in the Nigerian Model and film industry and also she is a talented dancer. Having been in the industry almost all her life, Kuzi has featured in
numerous commercials, and competitions, including: Nnamdi Azikiwe University 2013/2014 Dancing Competition ( She won the award - she is a 400level student of the prestigious University ). Peak milk online contest (she managed 3rd position).
Kuzi is 5.6ft in height and weighs 54kg.
Meet here on the following platforms:
Facebook; Ezenwanne Helen Kuzi.
E-mail: helenkuzi@gmail.com
Instagram: HelenKuzi
Saturday, April 25, 2015
Dairy 109 ~Benneth Nwankwo
Beautiful People!.
Now you are reading my dairy unrestricted and free of charge. You know better than I do that a dairy is naturally accessible to its owner ONLY, but I have given you the unreserved privilege to flow through my secrets. It is rare if not impossible to find people do this.......in fact if you are not ready to reflect on the words I have written below this paragraph, please kindly stop reading. I am not foolish to have made this diary available for public consumption. Be a gentleman or woman.
You all are beautiful people and I immensely appreciate you all. All of you. I admire the extraordinary things you do, and how beautifully those things are done. Now, here is the reason for publicising my diary: Misconception about Writers.
Most of you are not nice to writers. The actions of most you towards writers are concrete enough to forcibly make a writer throw away his pen and summit to beer - parlouring. Why are you people like this?. I am really not happy about this. Just look me - a full grown up writer who is not bold enough to grow mustache, suffering because some people wrote my chapter wickedly. Benneth and Beautiful people!.
"What do you do for a living?", she asked. "Writing", I told her with a dazzling smile and added mechanically "I am a writer".
Her luminous smile died. It seemed as though her pointed nose would soon fall and her ebonized long hairs which I had initially admired seemed to be shorter than they had been. I observed the contempt in her voice. I am not sure she'd wanted to ask - that is if I should call it a question - the sentence just flew out from her mouth. "Apart from writing what else do you do really?".
In the heat of that moment; I gave her no reply and managed to disgracefully walked away feeling the traumatic bangs of her words in my head. This thing happened in 1916 and the pain is still much around today, 2015. Beautiful people why are you like this?.
Similarly, in 1903, I found a fiancé. Olamipo was her name and I admired the beautiful texture of her skin. They felt like tomato paste. I wrote poems about her eyes, lips and physique. She was a picturesque and my conviction about making her my wife was proven beyond my pen. I recall that cool evening when I finally proposed to her; the response was simple; come and see my parents.
I recall driving to their residence at Ikeja - a bungalow with five functional elevators. The two dogs stationed at the gate didn't respect my London suit, they gave me the reservation of a notorious thief. I think I heard one barked my name, trying to pull forward despite the oversized chain it was bounded with.
I finally saw my in law to be; he didn't even apologize for making me wait in my car while the Gatemate chained the yellow monsters they called dogs.
Olamipo did the introduction and she didn't forget to include how we met. Then her Father quickly followed with someone question: My name, age, state......occupation?. A writer. He didn't say much but there was much in what he said. He concluded by telling me he would get in touch with me without even asking for my phone number, email address( RealBenneth@gmail) or Facebook Id (Benneth Nwankwo Page).
Would it be unethical if he had politely asked for my Twitter handle (@BnSpeaks)? At least he would easily tweet me with the requirements for performing marriage rites as prescribed by their culture. It would never be a bad idea asking for my Instagram handle (@BnSpeaks) for the sole aim of sharing photographs of certain undescriptive items say sizable tubers of yam and cola nuts. Why was he like that?. I have not received any response and up till today I am still single but writing.
In today Nigeria, writers are barley respected - at least I had little respect in the 60s. The then dreaded military governments of Nigeria respected us much and more often than not, some of us - the defiant ones - were made tenants behind bars. I recall Gowon ordered the arrest and inhuman detention of Soyinka and I. There were few beautiful people within his cabinet and it was quite easy to get information on demand. I sent Professor Wole Soyinka a video on BlackBerry messenger, warning him on the impending danger then fled to Benin. It was in Benin that the news of his detention got to me and I tearfully broke down. I was not only weeping because of his unlawful detention; It rudely occurred to me that the message was not sent due to poor network coverage. In my subsequent hand written letters to him, I pleaded for his forgiveness and promised to pursue his release.
Ultimately he was released! A band of writers, headed by me assiduously wrote to the international power brokers and mounted pressure on Gowon's government until Wole was freed. I personally wrote to the White house requesting for merciless economic sanction; it was granted upon receipt.
Listen beautiful people, writers are the backbone of an effectual nation. Show me a great nation and I will show you great writers. Look at Nigeria, just examine our country; where are our writers? Where are they? Writers have been demoralized!. How many of you beautiful people are ready to buy a Nigerian book? How many of you read at least a book per month?. It is painfully. If you think writing is a morsel of fufu, write a story. I do not enjoy the cryptic companionship you beautiful people gives to writers in this country. Some you of you deserves a miserable poem.
In 1967, after returning from Whitehouse where I had a private dinner with the US President Barack Obama, two beautiful people hastily visited my home in Victoria Inland Lagos, Nigeria and made me do things I would never repeat in my lifetime. They religiously lied to me about the quality of my works then suggested it was time I publish them since the spotlight of Whitehouse was on me. I accepted and hastily self published a book "Youthship and Challenges" - a collection of my articles on challenges confronting most Nigerian youths. I will not write about the reception but I can tell you authoritatively and free of charge that it had in 2012, thankfully gone out of print. Since 1967!.
Beautiful people, our writers must be appreciated. Look our writers are dying and when a writer dies, books dies and when books dies; ideas dies and when ideas dies; life ends. That's all for now.
Please follow me on Twitter @BnSpeaks.
Now you are reading my dairy unrestricted and free of charge. You know better than I do that a dairy is naturally accessible to its owner ONLY, but I have given you the unreserved privilege to flow through my secrets. It is rare if not impossible to find people do this.......in fact if you are not ready to reflect on the words I have written below this paragraph, please kindly stop reading. I am not foolish to have made this diary available for public consumption. Be a gentleman or woman.
You all are beautiful people and I immensely appreciate you all. All of you. I admire the extraordinary things you do, and how beautifully those things are done. Now, here is the reason for publicising my diary: Misconception about Writers.
Most of you are not nice to writers. The actions of most you towards writers are concrete enough to forcibly make a writer throw away his pen and summit to beer - parlouring. Why are you people like this?. I am really not happy about this. Just look me - a full grown up writer who is not bold enough to grow mustache, suffering because some people wrote my chapter wickedly. Benneth and Beautiful people!.
"What do you do for a living?", she asked. "Writing", I told her with a dazzling smile and added mechanically "I am a writer".
Her luminous smile died. It seemed as though her pointed nose would soon fall and her ebonized long hairs which I had initially admired seemed to be shorter than they had been. I observed the contempt in her voice. I am not sure she'd wanted to ask - that is if I should call it a question - the sentence just flew out from her mouth. "Apart from writing what else do you do really?".
In the heat of that moment; I gave her no reply and managed to disgracefully walked away feeling the traumatic bangs of her words in my head. This thing happened in 1916 and the pain is still much around today, 2015. Beautiful people why are you like this?.
Similarly, in 1903, I found a fiancé. Olamipo was her name and I admired the beautiful texture of her skin. They felt like tomato paste. I wrote poems about her eyes, lips and physique. She was a picturesque and my conviction about making her my wife was proven beyond my pen. I recall that cool evening when I finally proposed to her; the response was simple; come and see my parents.
I recall driving to their residence at Ikeja - a bungalow with five functional elevators. The two dogs stationed at the gate didn't respect my London suit, they gave me the reservation of a notorious thief. I think I heard one barked my name, trying to pull forward despite the oversized chain it was bounded with.
I finally saw my in law to be; he didn't even apologize for making me wait in my car while the Gatemate chained the yellow monsters they called dogs.
Olamipo did the introduction and she didn't forget to include how we met. Then her Father quickly followed with someone question: My name, age, state......occupation?. A writer. He didn't say much but there was much in what he said. He concluded by telling me he would get in touch with me without even asking for my phone number, email address( RealBenneth@gmail) or Facebook Id (Benneth Nwankwo Page).
Would it be unethical if he had politely asked for my Twitter handle (@BnSpeaks)? At least he would easily tweet me with the requirements for performing marriage rites as prescribed by their culture. It would never be a bad idea asking for my Instagram handle (@BnSpeaks) for the sole aim of sharing photographs of certain undescriptive items say sizable tubers of yam and cola nuts. Why was he like that?. I have not received any response and up till today I am still single but writing.
In today Nigeria, writers are barley respected - at least I had little respect in the 60s. The then dreaded military governments of Nigeria respected us much and more often than not, some of us - the defiant ones - were made tenants behind bars. I recall Gowon ordered the arrest and inhuman detention of Soyinka and I. There were few beautiful people within his cabinet and it was quite easy to get information on demand. I sent Professor Wole Soyinka a video on BlackBerry messenger, warning him on the impending danger then fled to Benin. It was in Benin that the news of his detention got to me and I tearfully broke down. I was not only weeping because of his unlawful detention; It rudely occurred to me that the message was not sent due to poor network coverage. In my subsequent hand written letters to him, I pleaded for his forgiveness and promised to pursue his release.
Ultimately he was released! A band of writers, headed by me assiduously wrote to the international power brokers and mounted pressure on Gowon's government until Wole was freed. I personally wrote to the White house requesting for merciless economic sanction; it was granted upon receipt.
Listen beautiful people, writers are the backbone of an effectual nation. Show me a great nation and I will show you great writers. Look at Nigeria, just examine our country; where are our writers? Where are they? Writers have been demoralized!. How many of you beautiful people are ready to buy a Nigerian book? How many of you read at least a book per month?. It is painfully. If you think writing is a morsel of fufu, write a story. I do not enjoy the cryptic companionship you beautiful people gives to writers in this country. Some you of you deserves a miserable poem.
In 1967, after returning from Whitehouse where I had a private dinner with the US President Barack Obama, two beautiful people hastily visited my home in Victoria Inland Lagos, Nigeria and made me do things I would never repeat in my lifetime. They religiously lied to me about the quality of my works then suggested it was time I publish them since the spotlight of Whitehouse was on me. I accepted and hastily self published a book "Youthship and Challenges" - a collection of my articles on challenges confronting most Nigerian youths. I will not write about the reception but I can tell you authoritatively and free of charge that it had in 2012, thankfully gone out of print. Since 1967!.
Beautiful people, our writers must be appreciated. Look our writers are dying and when a writer dies, books dies and when books dies; ideas dies and when ideas dies; life ends. That's all for now.
Please follow me on Twitter @BnSpeaks.
Thursday, April 16, 2015
THE POETRY COURT: POETS OF THE MONTH.
THE POETRY COURT
We are glad to announce to you that from May 2015 ThePoetryCourt will be having POETS OF THE MONTH.
These are the details of how we will be arriving at our "poets of every month"
1: We have four weeks in a month, so we will start with a shortlist of ten (10) poets for every month.
2: ThePoetryCourt will search online for quality poems within two weeks of every month then we will announce our shortlisted poets at the end of the second week of every month. The shortlisted poems will also be announced, every second week of the month, for all to read.
3: Poets and lovers of the art will then cast votes, by sending the names of three poets, in the order at which they want the poets to come on as our POETS OF THE MONTH.
To Vote For Your Nominated Poets, Send:
Names of the poets, titles of their poems, and a brief reason of why you want them to be our Poets Of The Month.
3: Votes will run, all through the end of the second week through to the third week of the month.
We will be announcing our poets of the month to the world, by publishing their poems and short bio on our blog.
www.thepoetrycourt.blogspot.com
The time is here again, let's rock poetry together forever.
'May the best poets be shortlisted and may the best poets be our POETS OF THE MONTH'
We are also compiling a list of African poets (Spoken Word Poets, Written Poets, and Promoters of Poetry) to celebrate National Poetry Month, this April 2015. Tagged THE POETRY COURT AFRICAN POETS ENCYCLOPEDIA 2015.
In there you will find POETS that ROCK.
Our AFRICAN POETS ENCYCLOPEDIA will be published on our blog before the end of April 2015.
POETS ROCK
You can also now send in your short stories, and essays to our gmail account.
Don't forget to send your picture and a short bio, max 100 words.
Like us on Facebook - The Poetry Court
Follow us on Twitter - @thepoetrycourt
Blog - www.thepoetrycourt.blogspot.com
BBM - 26728637
You can also join us on Whats app, by simply requesting 08176861035
For support, sponsorship and partnership call:
Osigwe Benjamin
08069257714
Usman Lawal Iyoma
08082960017
We are glad to announce to you that from May 2015 ThePoetryCourt will be having POETS OF THE MONTH.
These are the details of how we will be arriving at our "poets of every month"
1: We have four weeks in a month, so we will start with a shortlist of ten (10) poets for every month.
2: ThePoetryCourt will search online for quality poems within two weeks of every month then we will announce our shortlisted poets at the end of the second week of every month. The shortlisted poems will also be announced, every second week of the month, for all to read.
3: Poets and lovers of the art will then cast votes, by sending the names of three poets, in the order at which they want the poets to come on as our POETS OF THE MONTH.
To Vote For Your Nominated Poets, Send:
Names of the poets, titles of their poems, and a brief reason of why you want them to be our Poets Of The Month.
3: Votes will run, all through the end of the second week through to the third week of the month.
We will be announcing our poets of the month to the world, by publishing their poems and short bio on our blog.
www.thepoetrycourt.blogspot.com
The time is here again, let's rock poetry together forever.
'May the best poets be shortlisted and may the best poets be our POETS OF THE MONTH'
We are also compiling a list of African poets (Spoken Word Poets, Written Poets, and Promoters of Poetry) to celebrate National Poetry Month, this April 2015. Tagged THE POETRY COURT AFRICAN POETS ENCYCLOPEDIA 2015.
In there you will find POETS that ROCK.
Our AFRICAN POETS ENCYCLOPEDIA will be published on our blog before the end of April 2015.
POETS ROCK
You can also now send in your short stories, and essays to our gmail account.
Don't forget to send your picture and a short bio, max 100 words.
Like us on Facebook - The Poetry Court
Follow us on Twitter - @thepoetrycourt
Blog - www.thepoetrycourt.blogspot.com
BBM - 26728637
You can also join us on Whats app, by simply requesting 08176861035
For support, sponsorship and partnership call:
Osigwe Benjamin
08069257714
Usman Lawal Iyoma
08082960017
Thursday, April 9, 2015
Benneth Nwankwo
Benneth Nwankwo.
Born, Benneth Onochie "Ikechukwu" Nwankwo, in Nanka, Anambra State, Nigeria.
Language: Igbo/English.
Nationality: Nigerian.
Ethnicity: Igbo.
Religion: Christianity.
Popular genre: Fiction.
Benneth Nwankwo (Benneth Onochie "Ikechukwu" John Nwankwo) is a multidimensional African (Nigerian) writer ( ghost writer), Satirist, Blogger, Publicist , entrepreneur and motivational speaker. He is the author of "Youthship and Challenges".
LIFE.
Benneth was born in Nanka, Anambra state, Nigeria. He was raised in Lagos state, Nigeria, where he presently live.
WRITINGS.
Inspired by the works of some mainstream African writers and poets - notably - Chinua Achebe, Chimamanda Ngozi Adichie, Buchi Emecheta, Ben Okri, Wole Soyinka, Okey Ndibe, Ikhide Ikheola ,Tope Folarin, Elnathan John and Ngugi Wa
Thiong'O. Benneth, established his
name among the front ranks of contemporary African writers. His works bears the hallmarks of mastery - compelling, narrative, gripping and suspense.
His debut "Youthship and Challenges" - a coalition of his articles on the challenges confronting Nigerian youths, received wide acclamation and as well became a vademecum to many Nigerian youths. Other works includes: The Day We Died (2015), and Take Me To America (2014).
He is presently working on a novel, and his short stories and, editorials appears in BN BLOG, and other online media. He is a member of the Association Of Nigerian Authors (ANA), Lagos chapter, and has been ranked by critics as "one of the future leading African writers".
Born, Benneth Onochie "Ikechukwu" Nwankwo, in Nanka, Anambra State, Nigeria.
Language: Igbo/English.
Nationality: Nigerian.
Ethnicity: Igbo.
Religion: Christianity.
Popular genre: Fiction.
Benneth Nwankwo (Benneth Onochie "Ikechukwu" John Nwankwo) is a multidimensional African (Nigerian) writer ( ghost writer), Satirist, Blogger, Publicist , entrepreneur and motivational speaker. He is the author of "Youthship and Challenges".
LIFE.
Benneth was born in Nanka, Anambra state, Nigeria. He was raised in Lagos state, Nigeria, where he presently live.
WRITINGS.
Inspired by the works of some mainstream African writers and poets - notably - Chinua Achebe, Chimamanda Ngozi Adichie, Buchi Emecheta, Ben Okri, Wole Soyinka, Okey Ndibe, Ikhide Ikheola ,Tope Folarin, Elnathan John and Ngugi Wa
Thiong'O. Benneth, established his
name among the front ranks of contemporary African writers. His works bears the hallmarks of mastery - compelling, narrative, gripping and suspense.
His debut "Youthship and Challenges" - a coalition of his articles on the challenges confronting Nigerian youths, received wide acclamation and as well became a vademecum to many Nigerian youths. Other works includes: The Day We Died (2015), and Take Me To America (2014).
He is presently working on a novel, and his short stories and, editorials appears in BN BLOG, and other online media. He is a member of the Association Of Nigerian Authors (ANA), Lagos chapter, and has been ranked by critics as "one of the future leading African writers".
Benneth Nwankwo
Benneth Nwankwo.
Born, Benneth Onochie "Ikechukwu" Nwankwo, in Nanka, Anambra State, Nigeria.
Language: Igbo/English.
Nationality: Nigerian.
Ethnicity: Igbo.
Religion: Christianity.
Popular genre: Fiction.
Benneth Nwankwo (Benneth Onochie "Ikechukwu" John Nwankwo) is a multidimensional African (Nigerian) writer ( ghost writer), Satirist, Blogger, Publicist , entrepreneur and motivational speaker. He is the author of "Youthship and Challenges".
LIFE.
Benneth was born in Nanka, Anambra state, Nigeria. He was raised in Lagos state, Nigeria, where he presently live.
WRITINGS.
Inspired by the works of some mainstream African writers and poets - notably - Chinua Achebe, Chimamanda Ngozi Adichie, Buchi Emecheta, Ben Okri, Wole Soyinka, Okey Ndibe, Ikhide Ikheola ,Tope Folarin, Elnathan John and Ngugi Wa
Thiong'O. Benneth, established his
name among the front ranks of contemporary African writers. His works bears the hallmarks of mastery - compelling, narrative, gripping and suspense.
His debut "Youthship and Challenges" - a coalition of his articles on the challenges confronting Nigerian youths, received wide acclamation and as well became a vademecum to many Nigerian youths. Other works includes: The Day We Died (2015), and Take Me To America (2014).
He is presently working on a novel, and his short stories and, editorials appears in BN BLOG, and other online media. He is a member of the Association Of Nigerian Authors (ANA), Lagos chapter, and has been ranked by critics as "one of the future leading African writers".
Born, Benneth Onochie "Ikechukwu" Nwankwo, in Nanka, Anambra State, Nigeria.
Language: Igbo/English.
Nationality: Nigerian.
Ethnicity: Igbo.
Religion: Christianity.
Popular genre: Fiction.
Benneth Nwankwo (Benneth Onochie "Ikechukwu" John Nwankwo) is a multidimensional African (Nigerian) writer ( ghost writer), Satirist, Blogger, Publicist , entrepreneur and motivational speaker. He is the author of "Youthship and Challenges".
LIFE.
Benneth was born in Nanka, Anambra state, Nigeria. He was raised in Lagos state, Nigeria, where he presently live.
WRITINGS.
Inspired by the works of some mainstream African writers and poets - notably - Chinua Achebe, Chimamanda Ngozi Adichie, Buchi Emecheta, Ben Okri, Wole Soyinka, Okey Ndibe, Ikhide Ikheola ,Tope Folarin, Elnathan John and Ngugi Wa
Thiong'O. Benneth, established his
name among the front ranks of contemporary African writers. His works bears the hallmarks of mastery - compelling, narrative, gripping and suspense.
His debut "Youthship and Challenges" - a coalition of his articles on the challenges confronting Nigerian youths, received wide acclamation and as well became a vademecum to many Nigerian youths. Other works includes: The Day We Died (2015), and Take Me To America (2014).
He is presently working on a novel, and his short stories and, editorials appears in BN BLOG, and other online media. He is a member of the Association Of Nigerian Authors (ANA), Lagos chapter, and has been ranked by critics as "one of the future leading African writers".
Wednesday, April 1, 2015
Interview with Maryann Nwankwo, an event planner, Interior and exterior designer, and a makeup/makeover artist.
Interview with Maryann Nwankwo, an event planner, Interior and exterior designer, and a makeup/makeover artist.
Maryann has been kind enough to do a little interview with us. Get to know her a little better....
Born: Nwankwo Maryann Oluebube, 29th of October 1994. She hails from Nanka, Anambra State. The founder of SureGirl Makeover, and a final year student of Mary Sumner Vocational Institute Awka.
BN BLOG: We are honoured to meet you. Thank you for honouring our request.
MARYANN: (shots a dazzling smile) It's my pleasure and I'm very pleased to be here.
BN BLOG: How did you
come to specialise in event planning, makeups, cake making and decorating?.
MARYANN: I will first give all glory to God, who in his infinite mercy, made it possible for me - I started out as nobody. Very difficult. (Laughs). Frustration is the honest
answer. I trained as an event planner and I was managing little events. At that stage, back in 2013, you plan everything. Over
the years, I specialised more on other stuffs - designing and makeovers.
Then I started my own
company - SureGirl Makeover. The frustration
came about because I was
fed up with having to often rearrange and sometimes pay more for my client's cakes.(takes heavy breath). I started saying to myself "Okay Maryann,
you really need a solid
strategy here, you need
proper resourcing" . For a
long time, I would just say
that. I would say "You need a strategy. What's your?. (Giggles). I thought about learning cake making. A good idea. I trained in cake making. Do I pay for cakes again? No.
BN BLOG: Wow! What a fighting and realistic spirit...
MARYANN: (cuts short). Nothing stops a determined mind.
BN BLOG: Yes indeed. How long have you been in this field - rather - fields.
MARYANN: (laughs). Two years now. Yes two years. I started in 2013. Thanks be to God. I haven't been counting!. (looks stunned)
BN BLOG: How would you describe your work style?.
MARYANN: Work Hard,
Play Hard. I love to get the
job done and do it right. Meeting deadlines, successfully completing
tasks and give the task at hand my dedication is
important; but you have time to have
fun, enjoy what you are doing and the people
you are working with. If
you dont love what you do
then its harder to stay
motivated. I just love my job.
BN BLOG: Give an example of a time
when you felt the greatest
sense of accomplishment in
your job?.
MARYANN: I take my work very
seriously and honestly I'm not
finished with a project until I
feel a sense of accomplishment. Like I earlier said, I love my job.
BN BLOG: Describe your experience
with event planning, cake making, makeup and makeover in terms of meeting your clients demands?.
MARYANN: Challenging but fun. Nothing is ever easy. I just want my customer to be satisfied with what I offer. And I don't regret going any length to achieve them.
BN BLOG: Describe your specific
skills and experience related
to Event Planning.
MARYANN: I am hard working,
patient which comes in handy,
I have good interpersonal
skills which will help me to
communicate with customers
and I am resilient. You need resilience, some people are quite difficult to handle. ( laughs).
BN BLOG: If you were hired, when
could you start?.
MARYANN: Right away. Wetin I dey wait for?.
This is an opportunity and
company I am excited to get
started with.
BN BLOG: How has your education prepared you for a career as an event
planner?.
MARYANN: Yes if course, It did. What would I have become without education?. I thank my family for giving me the opportunity. I learn - still learning - those skills from school. I am presently a final year student of Mary Sumner Vocational Institute Awka. (Giggling). I blended well.
BN BLOG: What type of event planning are you
most interested in? Corporate events? Social events?.
MARYANN: OK call me jack of all trade.(Laughing). I specialized in all kinds of event planning. Social and cooperate. I don't limit my ability. Wedding, burial, naming ceremony, birthday, house commissioning....etc. I am in for all.
BN BLOG: What experience do you have with promoting events (through ads, social networking, etc.)?.
MARYANN: I forgot to mention about my computer training. I trained in computer - computer networking. Advertising my brand wasn't really a tough one for me and my company - SureGirl Makeover. We employed Facebook platform, my profile is Nwankwo Maryann . We have what's app: +2348108661520.
We have email: Nwankwo_maryann@yahoo.com. And I'm thankful for BBM, our pin is: 28613031.
I think African business owners have really come to realize the importance of social media. We have some ads on websites. We are on the global stream.
BN BLOG: Impressed I must say!.
MARYANN: (clapping hands). thank you.
BN BLOG: Tell me about a time when you avoided a near disastrous situation that almost ruined an event?
What was your impact on
correcting or avoiding the
situation?.
MARYANN: luckily, I have
honestly never had a situation
happen like this before. If i
was to have a disastrous
situation that almost ruined
an event I would need to make sure my
team and I are ready for
everything and always have a back up plan for everything. Nothing is impossible.
BN BLOG: What are some
strategies you use for
managing and prioritizing
work for yourself when there is too much work and too few staff members to
complete the tasks at hand?.
MARYANN: I write
everything down and
prioritize. I know strenghts
of everyone in my team and I delegate
accordingly. I motivate my group and keep them focused to the goal. Like I said before, Nothing is
impossible and as a team we can complete
any task.
BN BLOG: Finally what is your motivation?.
MARYANN: I wouldn't say I have this particular motivation. (Giggles) well, God is my motivation....Another is striving to become an independent woman. Basically independence motivates me always.
FOLLOW ON TWITTER @BnSpeaks
Maryann has been kind enough to do a little interview with us. Get to know her a little better....
Born: Nwankwo Maryann Oluebube, 29th of October 1994. She hails from Nanka, Anambra State. The founder of SureGirl Makeover, and a final year student of Mary Sumner Vocational Institute Awka.
BN BLOG: We are honoured to meet you. Thank you for honouring our request.
MARYANN: (shots a dazzling smile) It's my pleasure and I'm very pleased to be here.
BN BLOG: How did you
come to specialise in event planning, makeups, cake making and decorating?.
MARYANN: I will first give all glory to God, who in his infinite mercy, made it possible for me - I started out as nobody. Very difficult. (Laughs). Frustration is the honest
answer. I trained as an event planner and I was managing little events. At that stage, back in 2013, you plan everything. Over
the years, I specialised more on other stuffs - designing and makeovers.
Then I started my own
company - SureGirl Makeover. The frustration
came about because I was
fed up with having to often rearrange and sometimes pay more for my client's cakes.(takes heavy breath). I started saying to myself "Okay Maryann,
you really need a solid
strategy here, you need
proper resourcing" . For a
long time, I would just say
that. I would say "You need a strategy. What's your?. (Giggles). I thought about learning cake making. A good idea. I trained in cake making. Do I pay for cakes again? No.
BN BLOG: Wow! What a fighting and realistic spirit...
MARYANN: (cuts short). Nothing stops a determined mind.
BN BLOG: Yes indeed. How long have you been in this field - rather - fields.
MARYANN: (laughs). Two years now. Yes two years. I started in 2013. Thanks be to God. I haven't been counting!. (looks stunned)
BN BLOG: How would you describe your work style?.
MARYANN: Work Hard,
Play Hard. I love to get the
job done and do it right. Meeting deadlines, successfully completing
tasks and give the task at hand my dedication is
important; but you have time to have
fun, enjoy what you are doing and the people
you are working with. If
you dont love what you do
then its harder to stay
motivated. I just love my job.
BN BLOG: Give an example of a time
when you felt the greatest
sense of accomplishment in
your job?.
MARYANN: I take my work very
seriously and honestly I'm not
finished with a project until I
feel a sense of accomplishment. Like I earlier said, I love my job.
BN BLOG: Describe your experience
with event planning, cake making, makeup and makeover in terms of meeting your clients demands?.
MARYANN: Challenging but fun. Nothing is ever easy. I just want my customer to be satisfied with what I offer. And I don't regret going any length to achieve them.
BN BLOG: Describe your specific
skills and experience related
to Event Planning.
MARYANN: I am hard working,
patient which comes in handy,
I have good interpersonal
skills which will help me to
communicate with customers
and I am resilient. You need resilience, some people are quite difficult to handle. ( laughs).
BN BLOG: If you were hired, when
could you start?.
MARYANN: Right away. Wetin I dey wait for?.
This is an opportunity and
company I am excited to get
started with.
BN BLOG: How has your education prepared you for a career as an event
planner?.
MARYANN: Yes if course, It did. What would I have become without education?. I thank my family for giving me the opportunity. I learn - still learning - those skills from school. I am presently a final year student of Mary Sumner Vocational Institute Awka. (Giggling). I blended well.
BN BLOG: What type of event planning are you
most interested in? Corporate events? Social events?.
MARYANN: OK call me jack of all trade.(Laughing). I specialized in all kinds of event planning. Social and cooperate. I don't limit my ability. Wedding, burial, naming ceremony, birthday, house commissioning....etc. I am in for all.
BN BLOG: What experience do you have with promoting events (through ads, social networking, etc.)?.
MARYANN: I forgot to mention about my computer training. I trained in computer - computer networking. Advertising my brand wasn't really a tough one for me and my company - SureGirl Makeover. We employed Facebook platform, my profile is Nwankwo Maryann . We have what's app: +2348108661520.
We have email: Nwankwo_maryann@yahoo.com. And I'm thankful for BBM, our pin is: 28613031.
I think African business owners have really come to realize the importance of social media. We have some ads on websites. We are on the global stream.
BN BLOG: Impressed I must say!.
MARYANN: (clapping hands). thank you.
BN BLOG: Tell me about a time when you avoided a near disastrous situation that almost ruined an event?
What was your impact on
correcting or avoiding the
situation?.
MARYANN: luckily, I have
honestly never had a situation
happen like this before. If i
was to have a disastrous
situation that almost ruined
an event I would need to make sure my
team and I are ready for
everything and always have a back up plan for everything. Nothing is impossible.
BN BLOG: What are some
strategies you use for
managing and prioritizing
work for yourself when there is too much work and too few staff members to
complete the tasks at hand?.
MARYANN: I write
everything down and
prioritize. I know strenghts
of everyone in my team and I delegate
accordingly. I motivate my group and keep them focused to the goal. Like I said before, Nothing is
impossible and as a team we can complete
any task.
BN BLOG: Finally what is your motivation?.
MARYANN: I wouldn't say I have this particular motivation. (Giggles) well, God is my motivation....Another is striving to become an independent woman. Basically independence motivates me always.
FOLLOW ON TWITTER @BnSpeaks
Friday, March 20, 2015
The Day We Died-a short story.
|
The evening wind came as
usual. The sun was almost down, casting its orange ray on the louvers of our
house; forming a mirage on it. I was at the veranda,
watching the activities of compound people: the boys were playing a deflated
football, the girls talking excitedly about things I didn't understand, the
women held group discussions; some with their husbands talking in low tones and
laughing intermittently. On a distant mango tree, near the entrance of our
compound, birds in their nets, making their presence felt with defiant
melodious songs.
I was alone
watching, trying hard to resist the persistent urge to pull my shirt and join
the boys playing football. I was only adhering to Papa's instruction. I didn't
understand why he barred me from associating with the compound children. Since
Mama joined Mother Earth, Papa had been bitter with our neighbours. He said
they were all devils, and that I must avoid them as flies avoid kerosene. I
avoided them as he instructed.
A tall man in a
faded jean and black T-shirt, carrying a medium sized brown bag, walked in. He
wore a powerful smile on his face that contoured like a rumpled dress. I
recognized him. Everyone recognized him. The compound people called out his
name.
'Ibu!!'. The man
who would never quit discussing politics. No one had seen him for a long time.
The boys abandoned
their deflated football and the girls their whispering; surged forward and
encircled him. He gave them some notes from a wad of notes he pulled out of his
hold-all. They thanked him and dashed out of the compound, laughing loudly like
demented antelopes. He glanced impressively at the spectacle.
He called the
adults together and began to address them in low tone. They gathered like
people planning to set up a private business enterprise.
I titled my right
ear towards them. He was telling them about his political party in which he was
an agent. He promised them money. Plenty money!. He made other luxurious
promises in which he added, would be fulfilled only if they attended, en-mass,
his party's rally holding in our street in few days time. They gave him their
words.
From his bag, posters
and banners emerged, he distributed the banners and the men helped him in
pasting the posters on the walls of our compound, while the women argued about
the financial status of the two men on the posters.
The children
soon returned with their noise, brandishing biscuits, sweets and other snacks I
could not decipher their identity from my position. One of them, Emeka, my
classmate, came close; made a mock at me with his biscuit and dashed away. I
sneered at him.
There was a loud
crack from the landlord's room, followed by the click of the key in the inner
iron door.
I stared at his
door.
The landlord
thrust his head out of the slight opening and gave a thunderous shout.
'What are those
things doing on my wall?....which kin madness be that?....Who
instructed.....?'. His door went ajar and he swayed him self out like a mad
lion and went after the men pasting the posters.
They abandoned their
voluntary job and sought temporal asylum at the backyard.
The children and the women scattered in different directions. There was banging
of an iron door as people surged into their rooms. A child was crying in a room
adjacent ours. Madness was aboard.
Ibu went after
the landlord who was almost pulling off the posters. He held the landlord with
his huge palms and the landlord cried, 'So you have come to kill me....did I do
anything wrong by giving you a room..?'
'Oga landlord
calm down, we can settle this. We no dey fight!'. He let go the landlord. The
landlord swallowed and looked like a defeated dog.
Papa came out
and approached them. He asked what was wrong and none spoke to him. He became enraged
and cursed them.
'If you like
look at me like rabbits, nobody should disturb my peace in this house again!'.
He walked towards me, and stopped. I
held my breath. He turned towards Ibu and the Landlord.
'Devils!,
pests!!'.
I surveyed him
with my left eye as he walked angrily into our room. He didn't talk to me.
Perhaps, he didn't notice me.
Both men stared
at each, then Ibu dragged the Landlord into his room and shut his door. The
compound people soon emerged from their hideouts. All of them, hovering around
Ibu's door.
Minutes later, Ibu's
door opened. Who to first bounced out was our landlord, with an amusing smile
on his old wrinkled face, whistling, holding within his lazily tied wrapper, a
brownish envelop. He gave suspicious glances at the faces of his tenants,
secured the envelope tightly in his wrapper and went into his room.
Ibu soon emerged,
pleaded with everyone then promised the men some bottles of beer. They went
back to work, pasting the posters from door to door, window to window; then
troop out to the street.
Days came, weeks
came; we didn't see Ibu's campaign train. Expectations were high and rising.
People no longer talked about other things but politics. They were excited and
expectantly discussed only about the luxurious promises made. Everyday, every
time, Ibu would bent on explaining to some angry neighbours why his party men
hadn't visited. Sometimes they would believe him and sometimes they would
accuse him of deceit. Those days wasn't bright for Ibu.
The posters soon
accumulated dusts. Even some of them had been defaced beyond recognition. There
were signs of children's creativity on the posters; the rough paintings on
images of the two candidates with pencils and paints, the pricking of the eyes,
mouths and ears and the meaningless words written on them. It pained Ibu deeply
and often he pleaded with parents to caution their children.
At last, they
came. Almost a month late!. People had seized talking about it. No one seemed
to remember and Ibu had made new enemies. But now, things were different. There
was a loud scream. Papa and I rushed out of our room, into the compound.
Ibu, dressed in
an elegant agbada, embroidered with his party's logo; came racing up the path
on a bicycle, flung it down in the compound and rushed into his room. The next
moment he returned with new banners, and went door to door asking people to
troop out.
We-Papa and
I-followed the compound people into the street.
We beheld an
open-backed van with microphones, loudspeakers and a group of powerful people.
I spotted Ibu, talking with great pleasure, with two men dressed in a
resplendent agbaja, their bellies a replica of the belly of our pregnant
neighbour. I recognized them. They were the two candidates on the posters. On
both ends of the van, were army of young men sporting ill-fitting suits and
dark glasses. They had ear pieces on and were glancing at us with fierceness.
Soon, the street
became crowded. Every available space was taken. There were people hanging on
the poles, mango tree, and guava tree and elevated blocks.
Ibu took the
microphone and introduced the guests. There was a welcoming applause. He taught
the crowed his party's motto, when to say it and how to throw fist in the air
saying it. It was not difficult to learn.
The powerful
people on the van took positions, talking exuberantly, cracking our ears with
beautiful promises and brighter living. They were hungry for talks.
Finally, the
main candidate took position. He revisited all the pre-speakers had said,
adding flavour and better taste to it. Intermittently, the DJ at the tail end
of the van-a man with a miserable hair cut-would remind all of his presence.
The main candidate went on and on promising; good roads, clean water; free
social amenities, everything free! Hospitals, schools; foods,
electricity.........and Power.
'Do you think we
are deceiving you all?' The man asked, throbbing his voluminous agbada.
'My records are
there. I am a man of the people.....'. A fair lady dressed in Ankara, holding a
white handkerchief came forward, and wiped gently his face. He acknowledged her
and continued.
'Yes my people,
I am a man of the people. My action speaks louder than voice. Yes. Just vote
for us. Vote we'll change your life. We have plenty money that will better your
life'. He turned to his team, 'Am I telling lie?'
'No!!!!'. They
roared. I spotted Ibu making gesture for us to clap. The crowd began clapping.
'A good
politician doesn't talk too much. I said we have enough money'. He turned to
his team again. Momentarily, briefcases materialized. Next, wades of attractive
naira notes were in the air. As they descended: women, children; men-everyone
went after them.
Someone pushed
me to the ground and I felt the sand with my tongue. I got up, trying to get
hold of a descending note; it was seized at once by a woman. I stared at the
baby strapped on her back with a wrapper. His nose was bloodied. I called after
the woman but she went after another note and I saw her more.
A distance , two
men were in a serious confrontation. They dragged one another from one point to
another. Soon it initiated into fighting. While the notes were descending, they
were busy exchanging heavy punches, and kicks. No one noticed them.
The commotion
grew stronger. Ibu took position, pleading for calm. The more he pleaded the
stronger it became. People seized the rare opportunity to revenge on their
enemies. It turned violent!.
The candidates stopped
splashing the notes and began pleading for calm. No one listened and when it
was evident that the crowd were surging towards the van the young men in suits;
secured the van, pulled out their guns. I heard multiple deafening shots in the
air.
Pandemonium!.
We scattered in
different directions. There were stampedes. I saw a boy lying on the floor,
struggling against the incessant stepping of people's legs. A huge hand held my
shoulder. I turned. Papa!.
He lifted me
above his head and made towards a nearby bush. The leaves ruffled my skin and sharp
sticks injured Papa's left hand. Carrying me on his back, he ran bravely
through the bush, taking sides, and corners until we found our path into our
compound. Into our room. The night was
cryptic.
In the morning,
sixteen children, five women-two pregnant and two men were reported dead.
The police
report added: Seven children, nine women and twenty men were critically
injured.Most of them, life-threatening injuries. That was the day we died.
ALL RIGHTS RESERVED.
FOLLOW ON TWITTER @BnSpeaks
Monday, March 16, 2015
My Uniform Makes Me A god~A Short Story | Benneth Nwankwo
You
will agree with me that Lagos is an interesting city. To live a day in Lagos,
Nigeria, without a story to tell is to never have lived.
For
years, I have been a student of Lagos, studying Lagos and I have learned a lot.
I am still, however, learning Lagos. This is a course one never graduates. When
you think you are done, another topic springs out like mushroom and as a
student of Lagos, you must learn. Alternative is to drop out.
I
have learn-still learning about "Uniforms".
I
saw it in one of those tabloid newspapers and as usual, like every other
student of Lagos, gave it a dismissal as one of those editorials, badly written
by a hungry journalist. I even described it as an awful and unenthusiastic
jest. The writer must have had a terrible
day, I had assumed.
Two
weeks, four days, the assumed joke became news and simultaneously became a
household discourse. It was no longer speculation, but a fact; Okada has been outlawed!.
That
week, about 4pm, when the sky was gloomy, holding the promise of a heavy rain;
I boarded a bus from Oshodi heading to Egbeda.
The
Driver was at his peak, accelerating roughly 120km/h. The breeze played on my
eyes and ears that I did not even hear the conductor calling for my balance.
Suddenly
the vehicle slowed down. I looked ahead.
A
band of policemen, at a check point, doing something distinctive .The were
after the big fish. The motorcycle.
Our
driver greeted one of them, he didn't even noticed. The man in uniform was in a
serious and intimidating negotiation with a motorcycle rider, for which I
presumed, the alternative of the negotiation would be impoundment of the
motorcycle. The policeman talked with sneer and held a powerful look.
There
were still mixing along when another motorcycle drove by. The rider
acknowledged the men in uniform with two quick blasting of horn, accelerated, and
I saw him no more.
Still
observing, I couldn't believe what had just happened. Why make him a scared cow?. Then the gripping shock, gave way to
rational thinking; I recalled that the motorcycle rider who had just passed,
undisturbed, was habilimented in a T-shirt inscribed "Gallant Mopol",
on his head, a khaki face cap. I was shocked, wondering if anyone in the bus, felt
the harmless anger that shot through my eyes.
That
night, in my bedroom, balanced on my bed, staring at the revolving ceiling fan
making blur the blue bulb ahead of it; I allowed myself to be swayed by thoughts.
I thought about the handful number of impounded motorcycle, stocked at the back
of the police van. The submissive voice of a youthful fellow wailing and
pleading as two uniform men dragged his motorcycle to their van. The undiluted
shock when a motorcycle rider was accorded a triumphant pass, undisturbed.
Having
thought so long, without even observing the sudden interruption of power by the
PHCN, I concluded; my uniform makes me a
god.
******
The
sun was almost down, about time the day played its last card, signed out and
give way for the night to sign in. It was a cool but noisy evening. Noise one
of the constituent of Lagos, Nigeria. You can't escape its companionship.
I
had just returned and was welcomed with the news of petrol scarcity. I promptly
dismantled my tie, and dressed in a white long sleeve, black trouser, matching
with a dusty black shoe; I hurried to backyard-where the generator and other
mechanical equipment tenants-grabbed a ten litre blue container and zoomed off;
running as fast as my legs could, picking my way to the nearest filling
station.
Getting
to the filling station, panting, trying to catch my breath; I was left in a
daze. A long queue!.
A
helpless fellow, I joined the queue. Who want to spend a night plagued by boiling heat and
unforgiving Lagos mosquitoes?.
Fifteen
minutes afterward, I counted the figures ahead of me. Thirty!. I shook my head
in submissiveness, then I remembered my phone and earpiece that had comforted
me with some solo music, throughout a five hour traffic gridlock while
returning from work.
I
scrolled through the playlist, searching for a befitting song that would ease
my evening; it made a disturbing sound.
Battery low!. I returned both to my pocket and cursed the air.
I
glanced around. There were unusual happenings: three boys were playing with a
small black container-apparently abandoned by a fellow who couldn't endure the
herculean struggle for petrol.
A
distance ahead, a man, potbellied, who looked like he might be pregnant, was
talking disappointedly in a high tone. It seems he had endured enough.
Soon,
he found apostles. Some drivers came out and joined him. Both men and women.
'I
dey vex!'. The stocky man said. 'We dey produce oil but still dey beg for it'.
'My
brother na so we see am'. A woman joined him.
'Na
God go punish all those thieves wey call themselves our leaders'. The stocky
man added, then smashed something on his left arm. I suspected it was an
unfortunate mosquito trying to have a taste of his blood.
Soon
resonating talks of bad governance and corruption held the environment. A woman
highlighted why the upcoming election was imperative, told them her candidate
and there was uproar. A slim man, too slim that he looked like a broom stick;
asked her what she knew about politics, and suggested that she go home and look
after her kids.
The
woman enraged. 'Yeye man. See as him thin like stick. Abeg hold him breeze go
carry him ooo!'.
Onlookers
laughed.
The
verbal exchange soon attracted some people. Both men and women looked
on-apparently stress alleviated. People tap others and point at the spectacle.
'See
witch!' the man began 'I pity your husband--that is if you get one--Ashawo!'.
'Mewitch?'.
She beat her chest.
'Yes.
Witch!'.
'I
will show you mywitch-ness today!'.
It
went like that until some men came over, trying to reason with the man. They
told him he was a man, and should not reply every word thrown at him by a woman.
Woman had power but their mouth.
The
man couldn't listen. He continued and they dragged him away. The woman
continued to shout, until she bought petrol and drove off angrily.
I
examined the queue and took count again. Twelve!. Roughly one hour plus forty
two minutes spent, I was still the thirteenth person.
Roughly
two hours ten minutes, I took count to determine the progress being made.
Seven!. I was partially relieved.
Another
drama ensued. A man, with the help of his friend, sneaked in his yellow container. The women noticed. They let
out a verbal protest and soon the container was seen flying until it landed at
the other side. The man left, with defeat written all over his face.
No
one saw him again.
Twenty
minutes afterwards, I surveyed the queue. Five
more!. A slight excitement melted down my abdomen. Our people was right,
"A patient dog eats the................There was a sudden hush. I looked
around.
People
behind, began to give way. I gaze on in horror. Emerging from the crowed, were
two fierce looking men in their 30s, garnished with intimidating muscles and
shoulders. I observed their clothing as I too gave way; they were soldiers.
They
held a straight face as they marched gallantry to the pump with25 litre
container each. Someone murmured behind, and one of them stopped; pranced all
over the place like a hungry masquerade. No one talked.
When
they left with their petrol, someone asked 'Is not madness that someone just
walked in, didn't queue and proceeded to the pump, buys petrol and left?'.
No
one answered. Except the simultaneous heavy hiss made by some women.
My
uniform makes me a god.
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